As 2025 comes to a close, I looked at all my cards from the year and chose a few that represent some of the creative paths I took. I’ve included images of those cards here, and each one links to its original post if you’d like to revisit it.
I found myself reaching for products from designers I hadn’t used in a while, like Tim Holtz and Elizabeth Craft Designs. I took on projects with more steps, like monoprint stenciled backgrounds and dimensional florals. These weren’t the quickest projects to make, but they were satisfying.
Even though most of my cardmaking leans toward die cuts, I continued to enjoy watercoloring this year. The Art Impressions sets stand out because the stamped images are well suited to watercolor, and the coordinating dies make it easy to add a little dimension.
Finally, I found really enjoyed combining products from different sets in whimsical ways, which I call “mashups.”
Of course, any time we switch gears creatively, whether it’s trying a new technique or exploring a different designer, there’s an investment involved. There’s the time it takes to learn how something works, to practice, and to make imperfect attempts. There’s often financial commitment as well, with new tools or products. With changes in the craft industry and higher costs this year, I’ve been more intentional about what I bring into my craft room, focusing on purchases that offer lasting value and room to learn.
Looking ahead to 2026, I want to try designers and companies I haven’t explored yet and to continue the practices I embraced this year.
As you look back on your own year, your creative journey may have looked very different. Perhaps you spent time organizing your space, using what you already have, or finding connection through classes, groups, or online communities. If you feel like sharing, I’d love to hear what this year held for you.
